Sonata for piano op. 13
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This piece strictly obeys to the two-parts structure of the Sonata form of early XVIIIth Century. All formal elements, like ritornelli, are in place, only the substance of harmony, melody and rhythm have taken liberty : fluid, and with a reference to viennese pointillism.
Extract from the begining 1’23’’
(c) Florentine Mulsant, 2012